Surya Bhagavan Das

Surya Bhagavan Das isn’t your average name floating around in movie credits—this guy’s got a knack for picking projects that stick in your brain. Mercy Killing (2024) hits you with all the big questions—where’s the line between right and wrong when it comes to life and death? It’s not your typical preachy drama, either. There’s grit, a little bit of chaos, and you’ll probably end up rethinking whatever you thought you knew about mercy itself. Now, Paderu 12 Mile (2025) throws you somewhere completely different. The landscape’s wild, the stakes are personal, and people aren’t always who they seem. You sort of get this vibe that behind every choice there’s a story you’re not seeing. The tension is real, and the way it all unravels keeps you guessing until the last minute. It’s not just about the journey—it’s about the mess people make along the way, and honestly, who can’t relate to that? And then there’s Gadhi (2025), which is a whole other beast. It’s less about big moral dilemmas and more about the power plays and betrayals that can flip a person’s world upside down. The characters aren’t exactly saints, but that’s what makes it fun. Watching them scramble, plot, and claw their way through every obstacle is both brutal and, weirdly, kind of hilarious. Surya Bhagavan Das really knows how to pick scripts where no one’s clean and nothing’s simple, and honestly, movies like that just hit different.