Tansukh Gohil

Tansukh Gohil’s name keeps popping up in the Gujarati film circuit, and for good reason. The guy’s been involved in a few projects that have made some serious noise. Take "Dil Kare Dhak Dhak"—yeah, the title’s a bit of a mouthful, but the film’s all heart. It dives into the messiness of love, friendship, and that chaotic energy you get when you’re young and clueless, thinking you’ll live forever. There’s a rawness to it, like a mixtape of emotions. Gohil’s work really shines in the way the characters bounce off each other: awkward, passionate, sometimes annoying—totally believable. Then there’s "Befaam" from 2018. That one’s got this rebellious streak, you know? It doesn’t exactly march to the beat of the usual family drama drum. It’s more about going off-script, about people who refuse to play by the rules. Think of those moments when you just want to yell, “Enough!” and break free. The film’s not afraid to get a little messy, to show the cracks in the perfect picture. Same goes for "Bagaavat" (also from 2018). The name says it all—revolt, resistance, all that jazz. Gohil’s involvement gives the story a spark, a sense of urgency, like there’s something bubbling under the surface. It’s less about perfect heroes and more about flawed people trying to do the right thing, even if it blows up in their faces. These films aren’t just stories—they’re little explosions of real life, and Gohil’s got a knack for making you feel it.