Jignesh Modi

Jignesh Modi’s filmography is kind of a whirlwind, honestly. The guy’s been around, popping up in projects that don’t exactly blend together. Let’s start with “31st December (2024)”—and no, this isn’t just another random date. The movie drops you into the chaos of New Year’s Eve, but not in that cheesy, glittery way. We’re talking late-night shenanigans, regrets, wild confessions, and the kind of choices that’ll haunt you when the sun comes up. It’s messy, raw, and weirdly relatable. Then there’s “Bela: Gujarati Urban Film” (2025), which is a whole different animal. It’s got that fresh, city-buzz energy, following Bela as she navigates the madness of urban life. She’s not your typical Gujarati movie heroine—think less melodrama, more hustle. The city feels alive, practically a character in itself, and you get swept up in all the drama, heartbreak, and those tiny, everyday victories. And man, the soundtrack slaps. Now, “Patni Nachave Bhagwan Bachave” (2018), that’s pure comedy gold. You’ve got the classic husband-wife dynamic cranked up to eleven, complete with misunderstandings, slapstick, and those moments where you just want to yell at the screen. It’s outrageous but somehow totally on point about the absurdities of marriage. So yeah, Jignesh Modi isn’t just bouncing from project to project—he’s picking roles that actually give him something to chew on. From chaotic parties to urban heartache to full-blown comedy, he’s got range.