Manpreet Singh Dhami

Manpreet Singh Dhami might not be a household name yet, but if you’ve got your finger on the pulse of indie cinema, you’ve probably at least heard the buzz around Bulbule from 2021. That film? Yeah, it’s one of those ones that sneaks up on you. You think it’s just another flick, but then there’s this weirdly hypnotic energy, thanks to Dhami’s knack for layering everyday stuff with a bit of magic. Honestly, it’s not easy to pin down—sometimes it feels like a slice-of-life, sometimes it just punches you in the gut with all the emotional chaos. Now, skip ahead to His Story of Itihaas (2025). People are already talking, tossing around words like “ambitious” and “genre-bending.” It’s supposed to be a wild blend, mixing historical drama with bits of modern angst, and Dhami is right at the center, refusing to let the story take the easy route. You won’t find any sugarcoated nostalgia here. Instead, he digs deep into the messiness of memory and history, the way people rewrite their own pasts just to survive. There’s a lot of talk about how he handles time—like, he’ll jump from one decade to another without warning, so you’re never totally comfortable. But that’s sort of the point. He wants you off-balance, questioning what’s real and what’s just someone’s version of the truth. Basically, Dhami’s work isn’t for folks who want their movies tied up in neat little bows. He’s out here making you think, maybe even making you squirm a little, and honestly, that’s what makes his films worth watching.