Carly Maple

Carly Maple’s name pops up in some seriously wild cinematic corners. Mortal Kombat (2021)? That’s the one where ancient grudges and supernatural smackdowns collide in a bloody, over-the-top tournament. It’s not just mindless button-mashing—okay, maybe a little—but the movie throws you right into a brutal world where fighters square up for survival, each carrying their own twisted backstory. You get your classic heroes, some villains you love to hate, and enough gore to make your popcorn jump. Carly’s contribution isn’t front and center, but if you know, you know. Then there’s Talk to Me (2022), which ditches the cheesy jump scares and gets under your skin in a way only modern Aussie horror can. It’s creepy, it’s intense, and it dives into the chaos that happens when a group of teens messes with forces way beyond their paygrade. There’s this embalmed hand, a séance, and things spiral out fast—think possession, secrets, and a whole lot of regret. Maple was part of the madness, helping to build that vibe where you can’t quite shake the feeling something’s watching from the corner of the room. And I Am Mother (2019)—now that’s a trip. A post-apocalyptic bunker, a robot raising a human kid, and the constant, gnawing question: Can you really trust the “mother” figure when she’s made of metal? Carly Maple’s presence adds another layer to a story stuffed with paranoia, trust issues, and the kind of sci-fi unease that sticks with you. Not your average credits, that’s for sure.