A.V. Anoop

A.V. Anoop, born 30 April 1962 in Kerala, isn’t just some name you skip over in the credits—he’s one of those guys who’s quietly shaped Malayalam cinema in his own way. Sure, people might know him as a producer first, but the dude’s got acting chops too. He’s best known for “Paleri Manikyam: Oru Pathirakolapathakathinte Katha” (man, that title’s a mouthful), which dropped in 2009 and honestly, kind of shook things up with its mix of mystery and retro vibes. That film dove into a decades-old murder case, all moody and atmospheric, and Anoop’s behind-the-scenes magic really set the tone. Fast forward to 2019, and he’s still at it, lending his touch to “Ishq.” That one’s all about love and obsession, but it’s not your typical flowers-and-rainbows romance. Nope—it’s got this sharp edge, poking at the darker side of relationships and society. Anoop’s productions don’t just blend into the crowd; they’ve got that knack for picking stories that stick with you, make you squirm a bit, maybe even rethink some stuff. Oh, and don’t forget “The Hollywood Blvd.” That one’s a bit more of a curveball, showing he’s not afraid to step outside the usual Malayalam fare and mess around with different genres. Whether he’s behind the camera or sneaking in front of it, A.V. Anoop keeps things interesting. He’s the type who’s always looking for a story that’s more than just surface-level, and honestly, Malayalam cinema’s better off for it.