Aaron M. Fernandez Olson

Aaron M. Fernandez Olson, not exactly a household name, but you’ve probably seen his work if you’ve spent any time down the rabbit hole that is modern streaming. The OA? Yeah, that’s him—2016, Netflix, mind-bending sci-fi drama that people still argue about online. It’s the kind of show that gets under your skin and makes you question reality, and Aaron’s fingerprints are all over it, especially with the way it messes with narrative structure. Then there’s Wild Card, a 2022 project—way different vibe, a little more raw and punchy. It’s got this whole gritty energy, like it’s not afraid to get its hands dirty. Honestly, if you’re into stories that don’t hand everything to you on a silver platter, you’d probably dig it. In a Goodly Way from 2013 is more under the radar. Not as many people talk about it, but it’s got this weird charm, kind of like an indie film that refuses to play by the rules. Aaron’s style isn’t what you’d call predictable. He likes to poke at the edges of genres, mash up expectations, and leave you with more questions than answers. Is it polarizing? Sure. Not everyone’s cup of tea, but at least it’s never boring. The guy’s got range, bouncing from speculative mysticism to hard-edged realism, with a dash of oddball thrown in for good measure. If you want safe, this isn’t it. But if you want something that sticks with you, well, Aaron’s your guy.