Abbas Rahimi

Abbas Rahimi’s filmography isn’t exactly overflowing, but man, each one packs a punch. Let’s start with Critical Zone (2023)—that one’s a bit of a gut punch. Set against the gritty backdrop of a city that just never seems to sleep, it follows a guy who’s basically stumbling through life on the edge. He’s hustling, dodging trouble, dealing with all sorts of weirdos, and the whole thing’s laced with this raw energy that makes you feel like you’re right there with him. There’s this constant tension, almost like the city itself is a character, just waiting to swallow him up. It’s more than just a story—it digs under your skin, makes you think about survival, loneliness, and whether anyone really has control over their own fate. Mehmouniye Kami (2013) is a different trip entirely. Imagine a group of friends gathering for what’s supposed to be a chill dinner party. Sounds simple, right? Nah. As the night goes on, old scars pop open, secrets explode, and the whole thing spirals into this emotional rollercoaster. There’s laughter, awkward silences, and some moments that just hit way too close to home. Rahimi really gets how people tick, and it shows. And then there’s Marham (2010). This one’s quieter, more introspective. It follows a character grappling with personal loss, searching for some kind of healing or closure. The pace is slow, but intentionally so—it lets you sit in those uncomfortable moments and really feel the weight of it all. Rahimi’s style isn’t about flashy twists; it’s about digging into what makes people human, flaws and all.