Abdul Nowshad PA

Azadi (2025), with Abdul Nowshad PA attached, dives straight into the tangled mess of dreams and reality. The story rides on the shoulders of a stubborn protagonist who’s just... tired. Tired of being pushed around by the system, tired of the quiet desperation that comes from living in a world that feels like it’s rigged from the start. There’s a pulse of rebellion in every scene, but not the big, flashy kind—more like small acts of defiance that snowball into something bigger. Friends become enemies, enemies turn into allies, and nobody’s really sure where the line is anymore. It’s set in a city that feels both familiar and slightly off, like the world you know but with the volume turned up on all the things you usually ignore. The film doesn’t hand-hold or spell things out; you’re left piecing together motives, catching glimpses of hope in the cracks. There’s this looming sense of paranoia—who can you trust when everyone’s got something to lose? That’s what keeps the tension crackling. The characters are messy, making decisions that’ll have you shaking your head one minute and rooting for them the next. Secrets simmer beneath the surface, and every reveal just drags you deeper. Azadi isn’t about easy answers or tidy endings, and honestly, that’s what makes it linger long after the credits roll.