Abhimanyu Shammy Thilakan

Abhimanyu Shammy Thilakan, yeah, that’s a name you don’t just scroll past. This guy’s been making some serious waves, especially with Marco (2024) and Baby Girl. Marco? That’s the sort of film that doesn’t just vanish from your mind after the credits roll. It’s gritty, it’s real, and it pulls you right in, mostly because Abhimanyu’s performance is so raw you almost want to look away—but you won’t. He’s not there to play it safe, not even close. He digs into those complex characters, the kind that don’t have clear-cut answers or neat little bows on their storylines. And then there’s Baby Girl. Totally different vibe, but he brings the same energy—there’s vulnerability, there’s tension, and somehow you end up rooting for him even if he’s totally messing things up on screen. There’s this unfiltered honesty to the way he plays his roles. You can tell he’s not just reciting lines. He’s living in those moments, flaws and all. Honestly, it’s refreshing to see someone who doesn’t shy away from the messier side of humanity. Not many actors can flip between such different worlds and still feel so convincing. Abhimanyu’s got this knack for making you care about the characters, even if you maybe shouldn’t. And let’s be real, that’s not easy. If you’re into movies that actually make you feel something—like, really feel it—keep an eye on what he’s doing next.