Achu Rajamani

Achu Rajamani, man, this guy’s got his fingerprints all over some wild corners of Indian cinema. You might know him for his work in “Neevevaro,” a 2018 thriller that doesn’t mess around. It’s got that edge-of-your-seat vibe—think kidnapping, twisted secrets, and a blind protagonist who’s way sharper than anyone gives him credit for. Achu’s score? It’s one of those that just gets under your skin, you know? Like, you’re watching the story unfold and suddenly the music kicks in, and you’re right there with the characters, sweating bullets. Then there’s “Robin Hood: Prince of Thieves” from 2009—not the Hollywood one, but the Malayalam flick. Totally different flavor. Achu brings this slick, modern sound to the whole Robin Hood legend, but with Indian swagger. He manages to blend suspense, romance, and action like he’s mixing up a killer cocktail—just enough bite to keep you hooked. Fast-forward to 2024, and you’ve got “Tillu Square.” This one’s got a totally different energy—fun, a little bit wild, almost like the music’s winking at you. Achu’s got this knack for sliding between genres, pulling off peppy dance numbers one minute and soulful melodies the next. Honestly, the dude’s versatility is kinda ridiculous. Whether it’s cranking up the tension or making you want to get up and dance, his music ends up being the heart of whatever movie he touches. Not a lot of composers can pull that off, but Achu? He just keeps it coming.