Adam Brenner

Adam Brenner’s been making waves lately, especially with his work in Memo Inc. and that much-anticipated Uppercut dropping in 2025. Memo Inc. (2024), though—man, that one’s got people talking. So, you’ve got this company, right? Memo Inc. isn’t your average tech startup. The place is obsessed with memory tech—like, think Black Mirror, but somehow more corporate and just a tad more realistic. They’re basically selling the idea that you can edit your mind, clean up the stuff you regret, or maybe relive that one perfect summer afternoon on repeat. Sounds dreamy, but, come on, you know that never goes well. Enter Adam Brenner’s character (dude brings this low-key intensity), who’s stuck between climbing the ladder at Memo Inc. and dealing with some old wounds that the tech keeps poking at. There’s a lot of tension brewing between him and his boss, and things start to unravel when the company’s latest update gets rushed out—cue memory glitches, weird déjà vu, and people starting to lose track of what’s real and what’s been edited. It’s messy, sometimes trippy, and honestly, pretty bleak in spots. But there’s also this undercurrent of hope, like maybe, just maybe, you can own your past without erasing it. The whole thing’s shot with this sort of cold, sterile vibe—lots of glass and chrome, everybody acting like they’ve got nothing to hide, but you can tell nobody’s really okay. And Brenner’s performance? He nails that haunted, ambitious-but-broken thing. Uppercut, on the other hand, is shaping up to be a wild ride, but Memo Inc. sets the bar high for future tech thrillers.