Adam Etherington

Adam Etherington, hailing from Cambridgeshire, England, isn’t exactly a household name—unless you’re the kind of person who sits through the credits and actually notices the cinematographer. The guy’s got a knack for making things look stunning on screen, no exaggeration. He’s the visual brain behind “Paris Has Fallen” (2024), which, by the way, isn’t just another run-of-the-mill action flick. His shots give you that sense of chaos in a city under siege, but with a kind of beauty only someone with his eye could pull off. Seriously, it’s wild how he balances grit with elegance. Then there’s his work on “A Discovery of Witches” (2018). That show? Pure eye candy. Etherington wraps the whole supernatural drama in this lush, moody atmosphere that basically screams “forbidden magic” and “ancient secrets.” He takes all those shadowy libraries and candle-lit halls and cranks the ambiance up to eleven. You can almost smell the old books and magic in the air. Let’s not forget “Gwen” (2018), a period drama with a horror twist. Etherington doesn’t shy away from bleakness—the Welsh countryside looks haunting and gorgeous, like it’s got secrets buried in every foggy corner. He’s got this way of using natural light that makes you feel like you’re right there, shivering along with the characters. Honestly, Adam Etherington’s got range. Whether it’s action, fantasy, or gothic drama, he brings a bold, distinctive vibe to every project. The guy’s basically painting with light and shadows, and it’s hard not to notice.