Adam Friedlander

Adam Friedlander’s got his fingerprints all over some pretty wild stuff, honestly. First up, Novocaine (2025). If you’re into stories that yank you out of your comfort zone, this one’s a trip. The plot messes with your head, bouncing between reality and all-out hallucination. You’re never totally sure what’s real—like, is the main guy actually losing it, or is someone out to get him? It’s got that twitchy, paranoid energy, where nobody’s trustworthy and you start questioning your own sanity by the end. Friedlander’s style? Gritty. Doesn’t shy away from the ugly parts, and it shows. Then there’s Operation Brothers (2019). This film, it’s a whole different beast. Based on real events, it dives into a covert mission with stakes higher than your rent. The main crew? Ridiculously brave, risking it all to pull off a rescue that, on paper, shouldn’t even work. The tension’s always cranked, and the pacing doesn’t let you breathe. Friedlander’s got this knack for making you sweat right alongside the characters—every close call, every near miss, you feel it in your gut. And don’t sleep on The Empty Man (2020). Creepy as hell. Think urban legend meets cosmic horror. The movie takes you on a ride through small-town paranoia, weird cult stuff, and the kind of supernatural dread that seeps into your bones. The way Friedlander weaves together the mundane with the downright bizarre? Unsettling, but you can’t look away. Overall, the guy’s work is unpredictable, always a little unhinged, and absolutely worth checking out if you like your movies with teeth.