Ahmed Younes

Ahmed Younes has quietly stacked up a pretty eye-popping résumé in Hollywood, even if he doesn’t have the kind of household name you’d expect. He’s been in the thick of some of the most stylish blockbusters in the last few years—yeah, we’re talking Wonder Woman (2017), The Batman (2022), and Cruella (2021). Dude’s fingerprints are all over these films, whether you’re watching Gal Gadot throw tanks around, Robert Pattinson brood in Gotham’s rain-soaked alleys, or Emma Stone strut around London in those wild punk-inspired getups. If you’re a sucker for slick action set-pieces or moody, atmospheric vibes, you’ve definitely seen his work, even if you didn’t realize it. Ahmed’s got a knack for weaving together the big, explosive stuff with the quieter, more intimate moments. It’s not just about car chases and explosions (though, let’s be honest, those never hurt). There’s a certain flair in how scenes are staged or stitched together, like he knows exactly when to ramp up the tension or let things breathe. What’s wild is how he bounces from one genre to the next. You’ve got the mythic, sun-drenched action of Wonder Woman, then the gritty noir nightmare of The Batman, and to top it off, the madcap fashion-heist energy of Cruella. That’s a serious range. Not many can pull that off without missing a beat. Ahmed Younes might not be the face on the poster, but he’s definitely one of the reasons those movies stick with you long after the credits roll.