Aisha Deeb

Muirhouse (2012) drops you straight into the mess of a paranormal investigation gone seriously sideways. Aisha Deeb’s role is front and center in this found-footage-style horror flick, which leans hard into the whole haunted house vibe but doesn’t just rehash the tired tropes. The story grabs you with Michael, a documentary maker who thinks he’s going to waltz into Monte Cristo Homestead—supposedly Australia’s most haunted house—and come out with a nice, spooky film. Yeah, right. Instead, things spiral fast. The crew, including Aisha Deeb’s character, starts to pick up creepy, unexplained noises, doors that slam when nobody’s there, and—classic—equipment that keeps crapping out for no good reason. But it’s not just jump scares and flickering lights; the tension is thicker than pea soup, and you can feel the anxiety mounting as the team realizes maybe the legends aren’t just stories for tourists. What’s wild is how the movie blurs the line between reality and fiction, making you question what’s staged and what’s actually happening to these poor souls. Aisha Deeb brings this raw, anxious energy that makes everything feel way too real. You’re right there with them, heart pounding, as the crew gets more freaked out and the house itself almost feels alive—pushing them to the edge. By the time things hit the fan, you’re probably double-checking your own lights. It’s a solid entry in the haunted house genre, with enough fresh twists and genuine scares to keep you glued.