Alan Moloney
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Alan Moloney’s name has been popping up all over the place lately, and honestly, it’s not much of a shocker if you know the kind of projects he’s been tied to. He’s not just some random producer on the sidelines—he’s been front and center for some seriously ambitious stuff. Take “Steve” for example, the 2025 film that’s already got people online buzzing even before it hits screens. Details are still a little hush-hush, but knowing Moloney, you can expect something layered, probably a character study that sticks with you longer than your average popcorn flick.
Then there’s “V-U2-UV,” which is just wild. Imagine a full-on immersive concert film, but not just any gig—this is U2 at The Sphere in Las Vegas, and if you’ve seen clips of that venue, you know it’s basically a sci-fi fever dream come true. Huge visuals, sound that basically rattles your bones, and Moloney at the wheel making sure it’s not just a glorified music video but an actual experience. People who’ve caught advanced screenings can’t shut up about how trippy and jaw-dropping it is.
And don’t sleep on “Small Things Like These” (2024), either. It’s a different vibe—more intimate, softer touch, but with that classic Moloney knack for finding the stuff that really gets under your skin. He’s got this sixth sense for stories that matter, whether it’s high-octane spectacle or something quiet and real. Bottom line: if you see his name on a project, chances are it’s worth your time.