Alan Rocha

Alan Rocha’s filmography is honestly a pretty wild ride, and it’s not like he’s just sticking to one lane, either. You’ve got “I’m Still Here” from 2024, which isn’t your basic drama—it’s more like peeling back the layers on what it means to keep fighting when everyone thinks you’re done for. The movie zeroes in on that raw, gritty side of survival, and Rocha’s work there? Let’s just say he doesn’t exactly sugarcoat things. Then you swing over to “Baile de Máscaras (Masquerade)” from 2021, and it’s a whole other vibe. There’s this kind of seductive, mysterious energy pulsing through every scene, with masks both literal and emotional. The film sort of dances around questions of identity, trust, and the games people play when they think nobody’s watching. It’s clever, a little bit twisted, and definitely not predictable. And don’t sleep on “Dr. Gama” from the same year. That one’s rooted in history, but Rocha brings a modern punch to the story, weaving in big themes of justice and rebellion. The script doesn’t just sit there and lecture you about the past; it throws you right in the thick of it, where choices actually matter. Honestly, with these three films, Rocha’s got a knack for diving into complicated emotions and messy situations, never taking the easy route. The dude’s not afraid to get his hands dirty, and you can feel it in every frame.