Albert Soler Cuyàs

Albert Soler Cuyàs isn’t just another name buried in movie credits—this guy’s all over the map when it comes to genres. If you’ve caught Rich Flu (2024), you probably got swept up in the whole chaos of people suddenly dropping like flies from mysterious wealth-related illnesses. Not your average pandemic flick; it’s more like a satire dunked in paranoia, with Albert giving a performance that’s sharp and a little unsettling. He doesn’t just play a guy in a crisis—he’s the dude you keep watching because you can’t decide if you trust him or not. Flip back a bit to Lu Yao zhi Ma Li (2016). Totally different flavor. This one’s got more heart, more soul-searching, and Albert slips into a softer, more vulnerable skin. The story digs into complicated relationships, the kind where nobody really says what they mean, and secrets hang in the air like fog. He brings this quiet intensity, making you lean in, trying to catch every little shift in his expression. Then there’s Welcome Tahiya (2023), which just throws all expectations out the window. Drama, comedy, a hint of the absurd—Albert rides it all. He’s almost chameleon-like, blending into the weirdness of the story but still commanding your attention. Each role he takes on, you get the sense he’s not just acting; he’s living out the messiness on-screen. When you look at his career, it’s clear—Albert Soler Cuyàs doesn’t play it safe. He dives headfirst, and honestly, it’s a trip watching where he lands next.