Alberto Olmo

Alberto Olmo’s filmography is kind of a wild ride, honestly. The guy’s been popping up all over the place, and each project’s got its own flavor. Take “Mala influencia” (2025)—it’s not your typical drama. There’s this raw edge to it, like the characters are always two seconds away from making the absolute worst decision of their lives. It’s tough to look away, even when you know disaster’s looming. The tension? Thick enough to slice with a butter knife. Then you’ve got “Montecristo” (2023), and let me tell you—this isn’t your grandma’s adaptation. It’s slick, modern, and kind of ruthless. Olmo slips right into the cast, bringing this unpredictable energy that keeps you guessing. One minute, you’re rooting for him, next minute you’re thinking, “Wait, is he actually the villain here?” Not a lot of actors can pull that off without it feeling forced, but he nails it. And “Un lío de millones” (2024)? Total change of pace. It’s fast, it’s chaotic, and honestly, it’s just plain fun. The plot’s got twists coming at you from every angle, and Olmo’s comedic timing is weirdly on point. He jumps between shifty schemes and genuine moments, never missing a beat. You can tell he’s not just phoning it in—there’s real craft behind all the chaos. So yeah, whether he’s stirring up trouble, plotting revenge, or getting tangled up in some ridiculous heist, Olmo’s always got something up his sleeve. It keeps people watching.