Alessandro Del Vigna

Alessandro Del Vigna, man, this guy’s filmography is kind of a wild ride. You’ve probably seen his name pop up if you’re into movies that don’t just spoon-feed you the plot. Triangle of Sadness (2022) really put him on the map. That film? It’s a sharp, biting satire that just skewers the whole world of luxury, beauty, and social hierarchies. It’s got models, influencers, and a yacht trip that turns into absolute chaos—think Lord of the Flies, but make it fashion. People either loved it or hated it, which, honestly, is the sign of a film that’s actually saying something. Del Vigna was right in the thick of it, bringing real edge and style. Then there’s The End (2024), which, well, the title kind of says it all. Bleak, existential, not exactly a popcorn flick, but if you’re in the mood to stare into the abyss, it’s your ticket. Del Vigna’s touch is all over it—raw, unfiltered, a little bit uncomfortable in the best way. Not to be dramatic, but his work sticks with you for days. And don’t sleep on Rosebush Pruning either. It might not have the same hype, but it’s got this haunting, delicate vibe. There’s this tension simmering under the surface, and Del Vigna just nails that slow-burn feeling. He’s not about cheap thrills; it’s all about making you think, even when you don’t want to. If you’re bored of cookie-cutter movies, Del Vigna’s stuff will jolt you awake, guaranteed.