Personal details
- Birth Date: 1971-06-24
- Birth Location: Paris, France
- Parents: Denys de La Patellière
- Professions: Writer, Producer, Director
Alexandre de La Patellière, born smack in the middle of Paris back in ’71, is the kind of creative force you can’t help but notice if you’re into French cinema. He’s got that rare knack for spinning stories that stick with you, whether you’re laughing your head off or sitting there, jaw on the floor, totally gobsmacked. The guy’s fingerprints are all over some seriously memorable films—take “Le prénom” from 2012, for example. It’s one of those sharp, witty comedies that pokes fun at family drama in a way only the French can pull off. People still talk about it at dinner parties, trust me. Then there’s “The Best Is Yet to Come” from 2019, which goes straight for your feels. It’s about friendship, ticking clocks, and grabbing life by the lapels while you still can. The writing? Super tight. There’s this blend of humor and heartbreak that just, I don’t know, hits different. And don’t even get me started on “The Count of Monte-Cristo” (2024). Alexandre takes that classic revenge tale and cranks it up for a fresh crowd, tossing in the kind of drama and pacing that keeps you glued to the screen. The dude’s not just a writer—he’s a producer too, so he’s got his hands in every part of the creative pie. If you’re chasing stories with wit, heart, and a bit of Parisian swagger, Alexandre de La Patellière’s your guy.
Son of Denys de La Patellière, which, honestly, if you know anything about classic French cinema, is a pretty big deal. The family name alone carries a kind of old-school prestige, like the cinematic version of inheriting your dad’s vintage record collection—except it’s all movies and film reels instead of vinyl. Growing up with a dad who directed some of the more well-known French dramas and thrillers? Yeah, not exactly your everyday childhood. You just know that dinner table conversations probably included heated debates about camera angles or the proper way to stage a dramatic reveal. And, let’s be real, the pressure to live up to that legacy? Probably massive. Still, there’s something kind of cool about being directly connected to that era of filmmaking, back when everything felt a little more glamorous and mysterious. It’s got that generational torch-passing vibe, you know? The kind of backstory that makes any film trivia buff perk up.
June 24, 1971
Konidela Ram Charan
Paris, France
Denys de La Patellière and Surekha
54 years old