Alfred Newman
Alfred Newman—man, talk about a legend in the film music game. This guy basically set the bar for what a movie score should sound like. He started out as a little music whiz kid, and before you knew it, he was the go-to composer in Hollywood. Nine Oscars and 45 nominations? That’s bonkers. The Newman family basically owns the Academy’s music categories at this point. Their collective nominations? Ninety-two. That’s not just impressive, that’s “maybe we should rename the award” level.
Newman’s fingerprints are all over classic cinema. His resume is wild—over 200 films, and it’s a real “who’s who” of old-school Hollywood. All About Eve, Anastasia, Wuthering Heights, The Hunchback of Notre Dame, The Mark of Zorro, How Green Was My Valley, The Song of Bernadette, Captain from Castile, Love Is a Many-Splendored Thing, The Diary of Anne Frank, How the West Was Won, The Greatest Story Ever Told, and Airport. So many of those got Oscar love, too. And don’t even get me started on that 20th Century Fox fanfare. If you've ever watched a movie with that logo, you’ve heard Newman’s work. It’s basically the soundtrack of “going to the movies” for generations.
But he didn’t just write—he conducted and arranged for legends like Gershwin, Chaplin, and Berlin. Plus, he brought a bunch of Broadway’s magic to Hollywood, since he spent a decade on the stage before hitting the silver screen. One of the real trailblazers of Hollywood’s Golden Age, Newman wasn’t just a composer—he was the boss behind the music that made movies unforgettable.