Alice Braga

referencennAlice isn’t just another monolingual protagonist—she’s got some serious linguistic flair. Born and raised speaking Portuguese, she’s also picked up English and Spanish along the way. Trust me, you’ll see her switching between languages without breaking a sweat, whether she’s charming her way out of trouble or decoding cryptic messages. It’s not just for show, either; her ability to hop between tongues gives her a real edge. The script doesn’t waste time on clunky translations—she’ll drop a phrase in Spanish, flip to English, then switch back to Portuguese if the situation calls for it. That’s part of what keeps her one step ahead, blending into crowds, eavesdropping on conversations, and catching things others miss. It’s honestly refreshing to see a character whose multilingual skills actually matter, not just some random trait tossed in for flavor. If you’re a fan of clever dialogue and cultural mashups, Alice delivers in spades.

Sao Paulo’s basically chaos in a bottle, honestly. Buildings jammed together like some weird game of Tetris, and don’t even get me started on the traffic—it’s wild out there, constant honking, people weaving through cars like it's some sort of dance. There’s this buzz, though, that you kinda crave after a while. People everywhere, tossing out stories, hustling to get stuff done, always in a rush but somehow still finding time to laugh or yell or just exist loudly. It’s gritty, messy, and can be straight-up overwhelming, but there’s something electric about it. You walk those packed streets and feel like you’re part of something way bigger than yourself—a living, breathing city that never really slows down. Sure, it can wear you out, but man, if you ever leave, you start aching for that pulse. I miss that energy, that madness, the never-ending movement. It’s addictive.