Amber Johnson

Amber Johnson’s got this wild streak in her film choices, I swear. You see her pop up in movies like “Extremely Wicked, Shockingly Evil and Vile” (2019)—that twisted Ted Bundy flick with Zac Efron doing his best charming sociopath. She doesn’t play it safe, nope, she dives straight into the weird and unsettling. Then there’s “White Noise” (2022), which is basically a fever dream mashed up with suburban existential dread, all in one absurdly stylish package. She shows up in roles that kinda sneak up on you—never flashy, but always gives off this vibe like she knows something you don’t. Let’s not forget “Bones and All” (2022), which, yeah, is a love story but with cannibalism. Not exactly your average rom-com territory. Amber just blends right in, like she was born to haunt the background of these offbeat, sometimes downright creepy stories. You watch her and think, “Okay, what’s her deal?” Like, half the time you’re wondering if she’s about to do something totally unhinged or just fade into the scenery. Either way, she leaves an impression. She’s not the type to headline blockbusters or chase the shiny awards. Nope—she gravitates toward these darker, more complicated movies, the ones that stick with you long after the credits roll. It’s almost like she’s building a résumé out of cult classics and fever dreams. Not your typical Hollywood path, but honestly, it’s way more interesting.