amul vikas mohan—there’s a name that bounces around bollywood boardrooms probably more than you’d guess. guy’s got his fingerprints all over the place. most folks remember him for “behen hogi teri” (2017), which, honestly, was a fun ride if you’re into small-town rom-com chaos and rajkummar rao’s awkward charm. but amul’s hustle didn’t start there. he was the creative producer for “ek villain” back in 2014. yeah, that one—full of wild twists, dark romance, and that killer soundtrack everyone’s cousin played on repeat. but here’s the thing about amul—he wears a bunch of hats. not just the film producer gig. he’s also the editor of “super cinema.” if you’re into bollywood at all, you’ve probably flipped through it at some point or seen some tweet quoting their box office numbers. the mag’s been around since 1999, and folks call it the business journal for the entertainment world. so, he’s not just making movies—he’s also the guy tracking who’s making money, who’s flopping, and who’s pulling off the next big thing. there’s something kinda old-school about his vibe. he’s not in your face, but he’s always working, always got some project bubbling under the surface. you’ll find his name in the credits, but he’s also behind the scenes, shaping what ends up on screen and what ends up in industry gossip. in short, amul vikas mohan’s a bit of a swiss army knife for bollywood, and somehow, he keeps churning out work that gets people talking.
