Amy Faust

Amy Faust has one of those careers that kind of sneaks up on you—blink and suddenly she’s attached to some wild, weird, and honestly pretty unforgettable films. First up, Boss Level (2020). That movie’s a total adrenaline rush: a guy stuck in a time loop, dodging assassins, and generally having the worst day ever… again and again. It’s like Groundhog Day if Bill Murray swapped out comedy for a bunch of explosions and martial arts. Amy’s work in that flick? Not background noise. She helps ground the chaos with some much-needed humanity, even when bullets are whizzing by. Now, Carol (2015) is a whole different beast. No sci-fi, no time loops—just a gorgeously shot, aching romance set in the 1950s. Amy’s vibe here is way more nuanced. The movie’s all about longing and restraint, and every glance matters more than a thousand words. She fits right into that world, adding layers without stealing focus. It’s a quiet storm kind of performance. Then there’s The Bye Bye Man (2017), which, yeah, is a horror flick that’s probably responsible for a few sleepless nights. The premise? Don’t say his name, don’t even think it, or you’re toast. Amy weaves through the paranoia and dread, making the supernatural stuff just believable enough to give you chills. Between harrowing time loops, forbidden love, and supernatural nightmares, Amy Faust’s filmography is a wild ride—definitely not boring.