Andi Boediman

Andi Boediman’s name keeps popping up in Indonesia’s film scene for a reason. If you’ve caught Losmen Bu Broto (2021), you’d know the guy’s got a knack for stories that hit close to home. That film’s all about family—messy, loving, sometimes infuriating family, with the Brotos running a guesthouse packed with secrets and drama. It’s not just a slice of life; it’s the whole cake, layers and all. Andi’s touch brings out those little moments: a look across the dinner table, a fight in the back room, someone sneaking out at midnight. The dialogue feels like something you’d overhear, not something a screenwriter forced. Then you’ve got Gundala (2019), which is a total left turn from the warm family vibes. Superhero flick? Oh yeah. But not the cookie-cutter kind. It’s gritty—rain-soaked streets, corrupt politicians, and a hero who’s not sure what the hell he’s doing half the time. Andi’s involvement there? You can sense it in the way the film doesn’t flinch from real-world messiness. It’s not just punches and lightning; it’s a guy struggling with what’s right when everything’s wrong. And then there’s Qodrat (2022)—straight up horror, but with that unique Indonesian twist. Think creepy folklore, shadows in the corner, and a vibe that makes you want to leave the lights on. Andi’s projects don’t just stick to one vibe—they bounce from genre to genre but always carry a sense of authenticity. You watch his stuff, and it feels like you’re seeing his version of Indonesia, raw and unfiltered, not some polished postcard.