Andrea Cossu

Andrea Cossu's filmography is honestly a wild ride through different moods and moments. Take "The Kingdom" (2024), for example—this film doesn't just dip its toes in drama, it cannonballs right in. Power struggles, betrayals, that constant tension where you’re not sure who’s got your back and who’s about to stab it. The cinematography? Pretty gorgeous. The story weaves old-school royalty drama with modern twists. Nobody’s squeaky clean, and you start rooting for someone only to question your life choices by the end. Then there’s "Le Mohican" (2024). Totally different energy. It’s got this gritty, almost raw vibe—urban landscapes, characters who look like they haven’t slept since the 90s, and a script that doesn’t hold your hand. The pacing moves quick, sometimes almost too quick, but it keeps you hooked. It reaches into themes of identity and rebellion, and the soundtrack seriously slaps. "Borgo" (2023) is another beast altogether—think small-town secrets, generational tensions, that feeling you get when you visit your grandma’s village and realize everyone knows your business. There’s a nostalgia factor, but it’s not sugarcoated. Relationships unravel, old wounds get poked, and there’s just enough humor to keep things from getting too heavy. Cossu’s knack for finding the messiness in people’s lives and making it watchable? Kinda impressive, honestly. Each film has its own flavor, but what ties them together is the way they dive headfirst into complicated people and even messier choices.