Andrea Moya Acaso

Andrea Moya Acaso isn’t just a name you’ll spot in festival lineups—she’s basically making her mark all over Spanish cinema lately. You might’ve noticed her in “El fantástico caso del Golem” (2023), which, yeah, that title’s wild, but the film itself is even weirder (in a good way). It’s got that offbeat charm, mixing fantasy and dark humor, and Andrea plays her role with this effortless cool that’s hard to fake. She slips between reality and the absurd like it’s no big deal. It’s honestly sort of hypnotic to watch. Jump to “Mantícora” (2022), and you’ll see a completely different side of her. This film’s heavy, kind of haunting, and Andrea brings a lot of complexity to her character. She doesn’t just play a part—she digs into it, making you feel all the messy, uncomfortable stuff without sugarcoating anything. It’s raw, and honestly, not everyone could pull that off. Then there’s “As Neves” (2024)—the buzz around this one is real. She’s at the center of it again, holding the whole thing together with a performance that’s both quiet and intense. You can tell she’s not just picking easy scripts; she’s all about stories that mess with your head or flip your expectations. All in all, Andrea’s filmography is a crash course in versatility. She doesn’t stick to one lane. Whether it’s surreal comedy, psychological drama, or something totally out there, she just dives in and owns it.