Andrea Vieth

Andrea Vieth’s name might not be plastered all over Hollywood billboards, but she’s carved out her own little corner in the film world—especially if you’re into movies that don’t just spoon-feed you happy endings. Take “Dark Waters” (2019), for example. That movie doesn’t mess around. It’s a gritty legal thriller that dives headfirst into corporate corruption, environmental disaster, and the real-life consequences of greed run wild. There’s a sense of relentless tension, and Andrea’s work in the film doesn’t shy away from the ugly details. You can almost taste the anxiety in some scenes. Then there’s “Extremely Wicked, Shockingly Evil and Vile” (2019). The title says it all, honestly. If you’re into true crime—or just want to see Zac Efron looking unsettlingly charming as Ted Bundy—this one’s a trip. Andrea’s contribution helps ground the chaos, giving the movie a strange sense of humanity even when things get pretty twisted. And don’t sleep on “White Noise” (2022). It’s weird, it’s smart, and it’s got that whole Don DeLillo vibe—apocalyptic anxiety mixed with satire and domestic drama. The film’s got a knack for making you question what’s real and what’s just static in the background. Andrea brings something subtle but sharp to the table, adding depth to a movie that’s already layered like a really complicated cake. In short, her filmography isn’t massive, but she’s picked projects that stick with you. These aren’t forgettable flicks—they’ll rattle around your brain long after the credits roll.