Andrew Miano

Andrew Miano’s name pops up in some seriously interesting corners of film. The dude had his hands all over “The Farewell” (2019), which, let’s be real, was a total tearjerker—Awkwafina crushed it, plus the whole East-meets-West family clash? Oof, gut punch. That movie’s all about saying goodbye and all the weird, unspoken stuff people do for family, and yeah, Miano helped bring that to life. Then there’s “Prospect” from 2018, which, if you blinked, you might’ve missed, but sci-fi nerds know it’s a gritty, lo-fi space Western with Pedro Pascal before “The Mandalorian” made him a household name. The vibe’s more sweaty helmets and dirt than shiny spaceships, and the tension is real. Miano was one of the folks sweating the details behind the scenes, making sure it felt raw and lived-in. And don’t forget “A Single Man” (2009). This one’s pure style—Colin Firth, looking heartbreakingly dapper, trying to figure out if life’s worth living after losing the love of his life. Tom Ford directed, so every frame looks like it could be in a fashion magazine, but the emotions are messy and real. Miano was in the mix here too, helping shape a film that’s all about longing and the little moments that either break you or keep you going. Oh, and just to round things out, he’s been married to Jennifer Warr since 2003, which, in Hollywood years, is basically forever. Honestly, Miano’s track record is about finding those stories that stick with you, whether you’re into space adventures or quietly devastating drama.