Andy Fosberry

Andy Fosberry’s the kind of guy who doesn’t just sit in a studio noodling with synths—he’s out there, living and breathing music in every possible way. Over fifteen years deep in the game, he’s done the touring, the late-night recording binges, all that good stuff, but eventually the pull of cinema got him. Scoring for film just made sense; you can practically hear his love for storytelling in the way his music wraps itself around a scene, thick with atmosphere and emotion. His résumé? Wildly varied. He’s not just making tunes for indie projects in someone’s basement—his fingerprints are on global ad campaigns, major label projects, and pretty much everywhere in between. Channel 4, big indie movies, you name it. Doesn’t matter if it’s a massive commercial or a low-key documentary, he brings that same level of obsession to the soundscape. What really sets him apart is the way he mixes organic instruments with all those electronic textures—real strings, gritty synths, weird little samples you can’t quite place. You’re never sure what you’ll hear next, but it always fits. There’s this obvious passion for visual storytelling—he’s all about supporting whatever’s happening on screen, making sure the music lifts the narrative without ever overpowering it. The guy just gets how to add depth and richness to the moving image, and it shows in every project he touches.