Angga Dwimas Sasongko

Angga Dwimas Sasongko’s basically a legend in the Indonesian film scene, and honestly, it’s wild how much he’s pumped out since he started Visinema Pictures back in 2008. The dude’s got this knack for capturing the realness of urban Indonesia—none of that sugarcoated stuff. He and his wife Anggia Kharisma, who’s his go-to producer, have been on a roll with movie after movie scooping up awards left and right. One of their breakout hits? Cahaya dari timur: Beta Maluku. That film really packed a punch—centered on this ex-soccer player trying to keep village kids out of the crossfire of religious conflict in Ambon. It snagged the Citra Award for Best Picture, which, by the way, made Angga the youngest producer to ever pull that off. No big deal, right? Fast forward a bit, and Nussa, their animated flick for kids, bagged Best Animation at the Indonesian Film Festival. Before that, it started as a web series and even took home Best Short Animation in 2019. Pretty cool for something that began online. Angga’s not just about local fame, either. Surat dari Praha was Indonesia’s pick for the Oscars, and with Wiro Sableng 212, he became the first Indonesian director to link up with Fox International Productions. Not exactly a small feat. On top of the movies, he’s all about giving back to the industry—he launched Bioskop Online, a pay-per-view platform that’s already attracted over 700,000 subscribers, and VCampus, an e-learning hub for filmmakers. All this, and the guy studied political science at University of Indonesia. Go figure.

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Personal details

  • Professions: Producer, Director, Writer

Did you know

    • Trivia:

      So, Episode #1.6879 (2014)… wild story with that one. The film actually got the boot from the CinemAsia Film Festival back in 2015—not because it was bad or anything, but because someone decided to pirate it and toss it online for everyone to watch. Kinda messed up, honestly. If you know Angga Dwimas Sasongko, you know he’s not the type to just let that slide. The dude’s been super vocal about how piracy just screws over filmmakers and the whole industry. He’s even called out the government, pretty much saying, “Hey, do your job, get this under control!” It’s not just about losing money—it’s about all the hard work getting trashed by some random uploader. The whole fiasco kinda turned into a bigger conversation about digital rights and protecting creative work in Indonesia. Sasongko didn’t back down, which, you gotta admit, takes guts in an industry that sometimes just shrugs and moves on.

FAQ

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