Angus Bentham

Angus Bentham’s name might not be plastered all over billboards, but if you’ve watched a few big flicks in the past decade, you’ve probably seen his work. The guy’s got his fingerprints on some wild rides, like Indiana Jones and the Dial of Destiny from 2023. Think about it: you’re talking about the kind of movie that pulls you into the middle of ancient mysteries and death-defying stunts, and Bentham helped make sure every whip crack and chase scene landed just right. He’s got a knack for dropping you smack in the middle of the action, without it ever feeling forced. Then, there’s Paddington in Peru, rolling out in 2024—yeah, that’s right, the bear with the blue coat and marmalade addiction, only this time, the adventure takes a tropical turn. It’s not just cute hijinks, either; Bentham brings a vibe that makes a talking bear in the jungle feel kind of normal, honestly. There’s heart, laughter, and a ton of clever little details you almost miss if you blink. Go back a bit and you hit Canned from 2014, which flew a little more under the radar. Still, it’s proof he’s not just about the blockbusters. The guy jumps from globe-trotting treasure hunts to quirky indie projects without missing a beat. That’s range. So, even if you’re not the type to memorize names in the credits, Angus Bentham’s work sticks with you, weaving the kind of movie magic that makes popcorn taste better and couches comfier.