Anil Krish

Anil Krish’s filmography is honestly kind of all over the place, in the best way. You’ve got “The Lost Paradise” kicking things off back in 2013—a movie that got a little buzz for its dreamy, almost surreal look at what happens when people lose everything and have to piece themselves back together. There’s a real rawness to it; you can tell Krish wasn’t interested in handing you easy answers or tying things up in a neat bow. Then came “Bench Talkies” in 2015, which, if you ever sat through an indie film fest, you know it’s got that short-film energy: quick bursts of story, a bunch of different voices, and Krish showing he can nail the art of saying a lot with barely any time. Fast-forward to 2024, and he drops “Zebra.” That one, from what people are saying, is a whole other vibe—something about ambition, morality, and honestly, just how weird people can get when they’re backed into a corner. Krish seems to love poking at the messiness of human nature, digging into what people hide and why they do what they do. His style? A bit unpredictable, sometimes moody, but always with a sense that he’s not afraid to get his hands dirty with complicated characters. The dude’s not just making movies—he’s tossing you right into the chaos and asking you to figure your own way out of it. If you’re into films that don’t spoon-feed you or let you off easy, his stuff might just be your next obsession.