Aniruddh Singh Rahevar

Aniruddh Singh Rahevar, honestly, the guy’s got a wild mix of credits under his belt. If you’ve seen “Giddh: The Scavenger” (2023), you know he’s not here to play it safe or stay in one genre lane. That film? Kinda gritty, diving headfirst into the whole dark, survivalist vibe—makes you squirm, but you can’t look away. Then you’ve got “Dhh” (2017), which swings in a totally different direction—more whimsical, a coming-of-age sort of story with a splash of magical realism. Shows he’s not afraid to try new flavors, you know? Now, “Jai Mata Ji - Let’s Rock” (2025) is on the horizon and, from what’s buzzing, it’s shaping up to be something fresh in his filmography. People are curious if he’s going to lean into that high-energy, almost festival-like atmosphere, or if he’ll surprise everyone again by flipping expectations. Rahevar’s style? Kinda hard to pin down, honestly. Sometimes he’s all about the emotional gut-punch, other times he’ll make you laugh when you least expect it. There’s this unpredictability—like you’re never totally sure what’s coming next. He seems to dig stories that stick with you, even after the credits roll, whether that’s because you’re laughing at a weird joke or still rattled by how raw things got. Doesn’t hurt that he brings a bit of edge and heart to whatever he touches, refusing to settle for boring or basic. So yeah, keep an eye out, 'cause his next move is bound to be interesting.