Personal details
- Professions: Editor, Editorial Department, Visual Effects
Anisha Acharya’s filmography is pretty wild if you know where to look. First up, “Bob Trevino Likes It” (2024) – this isn’t your run-of-the-mill indie flick. It dives headfirst into the chaos of online connections, sort of poking at how social media lets strangers become family… or at least try to. The film rides this razor-thin line between comedy and heartbreak, and honestly, it’s hard not to get sucked in. Anisha’s take on the character? Raw. Messy. Kind of beautiful, actually. Now, “High Tide” (2024) – completely different vibe. There’s this looming sense of urgency, almost like the ocean’s about to swallow up everything you care about. The story grabs you by the collar and throws you into a world where every decision feels like it could be your last. The characters are on edge, and Anisha brings a tension to her role that’s hard to forget. There’s sweat, there’s grit, and there’s this underlying hope that never really dies, no matter how high the waves get (pun fully intended). If you’re after something more experimental, “Neptune Frost” (2021) is the one. This film doesn’t just tell a story; it practically sings it, with visuals that’ll knock you sideways. Anisha’s role weaves right through this cyberpunk, Afrofuturist fever dream, blurring tech and tradition until you’re not sure what’s real. It’s wild, it’s loud, and it’s got a message that lingers long after the credits roll. Basically, her filmography? Wildly unpredictable, but always worth the ride.
Graduated from the American Film Institute Conservatory back in 2014, which—let’s be real—is kind of a big deal in the film world. That place is notorious for churning out some real heavy hitters, whether you’re talking directors, cinematographers, or writers who already have their sights set on that little gold statue. There’s this wild energy at AFI, a mix of pure ambition and relentless hustle, and you pretty much have to be obsessed with movies to even think about surviving there. People spend sleepless nights on set, arguing over camera angles and script tweaks, basically living and breathing film. Walking out of there with a diploma means you’ve been through the wringer and probably have a few war stories under your belt—plus, you get to brag about sharing an alma mater with folks who’ve actually changed the game. So, yeah, graduating from AFI in 2014? That’s not just a line on a resume. It’s a badge.
Konidela Ram Charan