Anne Azoulay

Born in Paris back in ’78, Anne Azoulay’s the kind of actress who doesn’t just land in a story—she basically hijacks it. She’s not afraid to get a little weird, a little raw, and you never really catch her just playing it safe. Azoulay’s name pops up in some pretty wild films: “2 ou 3 choses de Marie Jacobson” from 2019, “Remember to Blink” (2022), and “Black Box” (2021). She doesn’t just act, either—she steps behind the camera sometimes and you can feel that vibe in the way she moves through her scenes. With “2 ou 3 choses de Marie Jacobson,” she kinda dives deep into the messy, tangled bits of a woman trying to piece together her identity, relationships, the whole mess of modern life. It’s not some sugarcoated rom-com. It feels a bit like someone’s reading their diary out loud—awkward, honest, and sometimes a little brutal. Fast forward to “Remember to Blink,” and Azoulay’s presence just takes over. There’s this edge to her acting, like she’s barely holding it together, and that tension? You can’t look away. “Black Box” comes in swinging with a different energy—mystery, suspense, a little paranoia. Azoulay just eats up the screen, making you question what’s real and what’s not. Honestly, she’s the kind of performer who gives you more than you expect—depth, grit, and a little bit of French chaos. Her work sticks with you, long after the credits roll.