Anshul Mohan

Anshul Mohan’s filmography is honestly a bit of a wild ride, jumping from gritty action to heavy drama and then tossing in some romantic chaos for good measure. Back in 2009, Acid Factory dropped—a film that’s basically a fever dream of crime, confusion, and betrayal. You’ve got this bunch of strangers locked up in a warehouse, all with scrambled memories and no idea how the hell they got there. The tension just simmers while everyone tries to piece together what’s real and who’s playing who. It’s dark, messy, and honestly a little bit unhinged, but that’s the charm. Fast forward to 2024, and here comes The Sabarmati Report, which takes a sharp turn into more serious territory. This one dives into the aftermath of a tragedy—think investigative journalism, political pressure, and a whole lot of gray areas. The story doesn’t spoon-feed you answers; it just keeps twisting, forcing you to question what justice even means when power and truth are always at odds. You can feel the tension, the frustration, and that slow-burn dread when the truth isn’t what anyone wants to hear. Then, Ek Deewane Ki Deewaniyat hits in 2025, and it’s all about obsession, love, and the blurred line between passion and madness. It’s messy, unpredictable, and kinda raw. The characters sabotage themselves and each other, making choices that are as much about heartbreak as hope. If you’re into stories where people are their own worst enemies, this one’s got you covered. Anshul Mohan’s projects really don’t stick to one lane—they’re all over the place, but you can’t say they don’t keep things interesting.