Anthony

Anthony’s got a pretty wild filmography. Let’s be real, not everyone can flex with movies like Enthiran and both versions of Ghajini on their resume. The man’s work on Enthiran (that’s 2010 for you) turned heads left and right—robots, Rajinikanth doing his thing, and a visual spectacle that made people lose their minds. It’s one of those films where you’re either grinning the whole time or just sitting there with your jaw on the floor because, honestly, it’s that bonkers. Then you’ve got Ghajini, and yeah, there’s the 2005 Tamil version and the 2008 Hindi one. Both are cult classics at this point. The story? Revenge, amnesia, tattoos everywhere, and a guy desperately trying to piece together his own life. The editing on these films—especially with all those time jumps and memory flashes—takes some serious skill. Anthony just nails that fast-paced, punchy vibe. You never really feel lost, even though the main character’s memory is totally shot. People who geek out over clever, high-energy editing basically treat Anthony like a rock star. He’s the glue holding together some of the most intense action sequences out there, making sure the story never misses a beat. Whether it’s sci-fi insanity or psychological thrillers, his fingerprints are all over the place. So yeah, if you’re talking about Indian movies that mess with your head or blow your socks off visually, odds are Anthony had something to do with it. That’s just facts.