Anto L

Eight years deep in the Kollywood scene and honestly, still loving the chaos. I’m the one who’s quietly running the circus behind the curtain—film management’s my jam, but I can’t resist getting hands-on with TV production and spinning stories that stick. I’ve got a soft spot for projects that twist your head a little, which probably explains how I ended up wrangling sets for “Sixer” (2019), “Dejavu” (2022), “Repeat” (2022), “Love” (2023), and now “Sattam En Kaiyil” (2024). Each one’s been a trip—late-night rewrites, caffeine-fueled brainstorms, and the occasional meltdown when the rain machine breaks down at 3AM. What can I say? I thrive in the mess. Give me a script that needs reshaping, a cast that’s all over the place, or a schedule that looks impossible, and I’ll probably find a way to make it work. I’ve picked up a knack for keeping the crew from killing each other, making sure the story cuts through, and actually getting people to care about what’s on screen. Strong media and communication skills? Sure, whatever that means on paper, but really it’s about knowing how to talk to everyone from the stubborn director to the rookie PA. In the end, I’m just obsessed with turning wild ideas into something that hits hard in the theater. Maybe it’s madness, but it works.