Anujith Kannan

Mura (2024) drops you right in the thick of it, no warning, just chaos and questions. Anujith Kannan’s character—yeah, the one everyone can’t stop talking about—ends up tangled in a mess way bigger than himself. He’s not your usual movie hero: there’s this vibe where you’re not sure if you wanna root for him or slap him upside the head. He stumbles into this conspiracy, something that’s got all these threads pulling at the edges of society, and you just know things are about to spiral. The city’s basically a character on its own, all neon and secrets and weirdos lurking around every alley. Every time you think you’ve got the plot figured out, boom, another twist. Kannan’s performance is wild—one minute he’s dead serious, next he’s cracking jokes that make you wonder if he’s losing it or just way tougher than he looks. The whole thing keeps you guessing: who’s telling the truth, who’s got something to hide, and who’s gonna get out alive. There’s action, sure, but it’s not just mindless fighting—every punch, every chase, it all means something. You’ll see corruption, loyalty, betrayal, maybe a little redemption if you squint. The pacing’s relentless, barely gives you a second to breathe. And when the credits roll, don’t expect everything tied up with a neat little bow. Mura leaves you thinking, maybe even a little haunted.