Beatriz Modenese

Beatriz Modenese is one of those names that’s just kinda everywhere these days, at least if you’re even remotely plugged into the Brazilian film scene. She’s got this knack for popping up in projects that stick with you—like, you finish watching and you’re still thinking about her character hours later. Seriously, just look at her recent run: “A Melhor Mãe do Mundo” (2025) is on the horizon and everyone’s buzzing, and if you were lucky enough to catch “Chuck Billy and the Marvelous Guava Tree” (2024), you already know she can flip from heartwarming to hilarious in the span of a minute. And then there’s “Ritas” (2025), which feels like it’s going to be one of those sleeper hits people won’t shut up about. She’s not just phoning it in, either—there’s a real energy she brings, almost like she’s daring the audience to keep up. Doesn’t matter if she’s in a leading role or popping in as a side character, she steals the scene. Modenese has this raw, natural vibe that sidesteps all the usual melodrama; it’s more like you’re eavesdropping on real people’s messes and joys. Directors seem to trust her with some pretty weird and wonderful scripts, which totally pays off—she’s unpredictable in the best way. You never know what kind of character she’s gonna give you next, but it’s probably going to be memorable. If you haven’t clocked her yet, you’re about to—she’s on a roll, and honestly, it doesn’t look like she’s slowing down anytime soon.