Begoña Robles

Begoña Robles – yeah, name rings a bell for anyone who’s been even half awake in the world of Spanish cinema and TV lately. She’s not just floating around, she’s everywhere, popping up in some of the buzziest projects. Take Mala influencia (2025) – people are already hyped and the thing hasn’t even dropped yet. Word is, it’s got that raw, edgy vibe, and Robles, well, she’s supposed to be the reason folks stick around through the more chaotic scenes. Then there’s You Would Do It Too (2023). That one’s kind of a trip—a crime thriller that makes you question what you’d do if you were shoved into a moral blender. Robles doesn’t play it safe there, either. She never does. Her characters don’t just stand in the background and look pretty; they shake things up, light a fire, or at the very least, make you rethink your own choices. Fast forward to Un nuevo amanecer (2024) and suddenly, it’s like she’s switched gears completely, showing up in a drama that’s all about second chances and messy, real-life emotions. She’s got this knack for picking roles where she can actually, you know, act—no phoning it in, no boring stereotypes. And honestly, she brings a kind of intensity that makes you want to see what she’s going to do next. Bottom line: Begoña Robles is one of those actors who make you pay attention, even if the script is iffy or the lighting’s weird. She’s just got that thing.