Ben Mills

Ben Mills, hailing from Nottingham, Nottinghamshire, England, has been carving out a name for himself in film editing. The guy’s been behind the scenes, working on some seriously buzz-worthy projects lately. If you’ve caught “Fight or Flight” (2024), you’ve already seen what kind of sharp style he brings to the table—snappy cuts, killer pacing, and a vibe that keeps you hooked. He’s not just some random credit at the end, either; his fingerprints are all over the storytelling. Jump back a year, and you’ll spot his work on “Tetris” (2023). Yeah, that one—stacking up tension and piecing together the story in a way that actually made a movie about a block puzzle game totally gripping. Not exactly the easiest task, but Mills managed to make it work, tossing in enough energy and rhythm to keep things rolling. People definitely noticed. Then there’s “Above the Below,” which, honestly, is a bit of a sleeper hit if you ask around in editing circles. It’s got this raw, almost gritty edge, and Ben’s editing style wrings every bit of emotion out of the footage. He’s got a knack for knowing when to let a moment breathe and when to cut fast, which isn’t something you see every day. He might not be a household name—yet—but if you keep an eye on the credits, his name’s popping up more and more. It’s not just the technical chops; Mills brings a sense of timing and story that just sticks with you. If you’re into film, seriously, remember the name.