Bhanu-Nandu

Bhanu-Nandu isn’t exactly a household name—yet. But if you’ve got your ear to the ground, you might’ve caught wind of their work in Viswam (2024) and Daaku Maharaaj (2025). Viswam? That one’s a wild ride, full of those “wait, what just happened?” moments. The story dives headfirst into the chaos of modern city life, but it’s not just another gloomy urban tale. Nope. It’s got these weird splashes of dark humor—think sharp dialogue, a few raised eyebrows, and that one scene everyone can’t stop talking about (you’ll know it when you see it). The characters are flawed, messy, and you kinda root for them even when they’re being idiots. Bhanu-Nandu’s style? It’s punchy and sometimes a little unhinged, but it works, especially in Viswam’s twisted take on what it means to fit in or stand out. Then there’s Daaku Maharaaj, which leaps in a totally different direction. This time, we’re in the thick of a revenge saga, but not your cookie-cutter drama. The main guy, he’s got more layers than an overstuffed biryani—bad decisions, worse enemies, and a sense of justice that’s—well, let’s call it “questionable.” There’s action, sure, but it’s the psychological games that really get under your skin. Bhanu-Nandu brings in a gritty energy, blending raw emotion with these unforgettable visuals. Both films? They’re not afraid to get their hands dirty, and they don’t really care if you’re comfortable or not. It’s cinema that leaves a mark, for better or worse.