Billy Rayner

Billy Rayner’s kinda one of those faces you’ve probably seen, even if you can’t quite place the name. He’s popped up in some seriously wild stuff—think Jojo Rabbit, that offbeat WWII satire where kids are running around with imaginary Hitlers and the whole script feels like it’s running on adrenaline and dark humor. Rayner wasn’t just a background blur; he actually sunk his teeth into a role that, even if small, left a definite impression. There’s something about his energy—quirky, a little unpredictable, not the usual cookie-cutter type. Then you’ve got The Catcher Was a Spy, which is just bananas when you realize it’s based on a true story. Spies, baseball, Nazis, double lives—Rayner’s in the mix, adding layers to the already tangled web of that film. The dude clearly gravitates toward projects that are a little left of center, you know? Not your standard popcorn flicks. And now, Nuremberg (2025) is on the horizon, and honestly, this might be where people finally start saying, “Oh yeah, that’s Billy Rayner!” instead of just squinting at the screen. Nuremberg is shaping up to be this heavy, historical deep dive, and Rayner’s involvement feels like a natural next step for a guy who doesn’t shy away from tricky or controversial material. He’s got this knack for picking roles that aren’t just filler—they actually stick with you. At this rate, he’s not just passing through Hollywood; he’s making his mark, one oddball project at a time.