Bob Cooper

Bob Cooper’s name is all over “Slingshot” (2024), and honestly, it makes sense. The guy’s got this knack for stories that aren’t afraid to get a little messy—like, you’re watching and suddenly realize you might not know what’s coming next, and isn’t that half the fun? “Slingshot” drops you right into the middle of this wild, off-kilter space mission. You’re looking at a bunch of astronauts who are supposed to be professionals, but, surprise, they’re just as flawed and confused as anyone stuck in a pressure cooker with no escape. The whole plot orbits around this high-stakes mission—Mars or bust, basically. The crew? A real mixed bag. Some are gung-ho, others look like they’d rather be on a beach somewhere, and there’s this undercurrent of tension that just keeps bubbling up. It’s not just about the technical hurdles or shiny space gadgets, either. These characters are up against the kind of psychological mind games that make you wonder how anyone keeps it together when they’re millions of miles from home. The movie doesn’t sugarcoat anything. There’s claustrophobia, secrets, and the creeping dread that maybe, just maybe, this whole mission is way over their heads. The visuals are sharp, but it’s the raw, sometimes ugly human moments that really land. You end up caring less about the destination and more about whether these folks can survive each other. Cooper knows how to keep you guessing, and “Slingshot” isn’t just another space flick—it’s a messy, tense, sometimes darkly funny look at what happens when the stakes are cosmic and the people are, well, only human.