Brian Williams

Brian Williams has been popping up all over the place lately, hasn’t he? Dude’s got this knack for landing roles in projects that are either super tense or just plain weird—in the best possible way. Take Bird Box: Barcelona (2023), for example. That one’s not just a sequel, it’s more like a fresh nightmare built on the bones of the original, with Williams tangled up in a city where opening your eyes could mean game over. The whole vibe is claustrophobic, intense; you can practically feel the anxiety crawling up your skin. He doesn’t play it safe, that’s for sure. Then you’ve got Carry-On (2024). Totally different energy. This film swings into the thriller lane but with a kind of relentless pace that never lets you breathe. Williams steps into the chaos, dealing with a situation that keeps getting messier, minute by minute. There’s this ticking-clock energy, and his character’s choices matter—a lot. You’re sucked into his stress, his panic, and honestly, by the end, you might need a nap. And let’s not forget The Wilds (2020). Now, this one’s a curveball. It’s got layers—teens stranded, survival drama, but also weird psychological twists that keep you second-guessing everything. Williams brings this edge, a sense of unpredictability that makes every scene feel risky. He’s not just a background guy; he’s right in the thick of it, shaping the chaos around him. If you want range? He’s got it, no question.